Vol. 14 (2017)

Edited by Adena Portowitz

Published: 2024-04-16

Articles

Musical Characteristics of Spanish–Portuguese Biblical Cantillation

Essica Marks (Author)

1-23
- pdf
Musical Cultures in the National Hymnbooks of the 1990s

Alexander Rosenblatt (Author)

24-36
- pdf
The Sublime as a Topos in Nineteenth-Century Piano Music

Jamie Liddle (Author)

37-64
- pdf
Christmas Carols, Drums, and Compound Musical Topics

Esti Sheinberg (Author)

65-75
- pdf
Musical Variations on the Ideas of Calder and Klee

Yulia Kreinin (Author)

76-93
- pdf
Eugène Damaré, 1840–1919

Tom Moore (Author)

94-114
Eugénie-Victorine-Jeanne Alombert

Tom Moore (Author)

115-120
- pdf
Concinnity: The Growth Principle of Classicism A Centennial Tribute to the Great Scholar

Jan LaRue (Author)

140-150
- pdf

Interview

Interview with Richard Taruskin

Richard Taruskin, Marina Ritzarev (Author)

121-127
- pdf
Interview with Matanya Ophee (1932-2017) A Life for Guitar Music

Marina Ritzarev (Author)

128-134
- pdf

Review

Music and the Exotic from the Renaissance to Mozart, by Ralph P. Locke. Cambridge: Cambridge University Press, 2015. 472 pp.

Robert L. Marshall (Author)

128-130
- pdf
Music and Embodied Cognition: Listening, Moving, Feeling and Thinking, by Arnie Cox. Bloomington: Indiana University Press, 2016. 286 pp., including two Appendices, Endnotes, Bibliography, Index.

Esti Sheinberg (Author)
- pdf
Rethinking J.S. Bach’s “The Art of Fugue,” by Anatoly P. Milka. Translated by Marina Ritzarev, edited by Esti Sheinberg. Routledge, 2016. 261 + xxiii pp.

Yulia Kreinin (Author)

134-136
- pdf
Music of the Soviet Era, 1917–1991, by Levon Hakobian. Second edition. Routledge Russian and East European Music and Culture. London: Routledge, 2017. 560 pp.

Yulia Kreinin (Author)

137-139
- pdf