Musical Cultures in the National Hymnbooks of the 1990s
Keywords:
Hymn, hymnbook, musical cultures, national identity, religious identityAbstract
Since the early 1990s, national hymnbooks (i.e. collections of church hymns) around the world have included musical material, some of which may seem unrelated to the musical traditions of the communities or, more broadly, to the national heritage of the audience. The article analyses reasons for (and forms of) going beyond the national/confessional borders in musical choices for three such books. Another related issue the article addresses is the place of “religious” in national identity and the place of “national” in religious identity. The boundaries and indexes of sonic tolerance, characteristic of a particular society, complete the range of issues under consideration.