Vol. 9 (2011)

Guest Editors: Dr. Uri Golomb and Dr. Ron Atar

Published: 2025-05-08

Editorial

Letter from the Editor

Uri Golomb (Author)
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Articles

Musical Supplication in the Golden Age of Ashkenazi Cantorial Art

Amit Klein (Author)
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Drawn Up out of a Mute Wellspring: The Revival of Paul Ben-Haim’s Early String Quintet (1919)

Yoel Greenberg (Author)
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Gideon Lewensohn’s ViolAlive: The Composer as Stage Director – Recontextualization of the Concerto as a Gestural Genre

Sara Zamir (Author)
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A Crazy Desire for Unity— Tsippi Fleischer’s Fifth Symphony “Israeli-Jewish Collage”

Kees van Hage (Author)
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Book Reviews

Prolongation of Seventh Chords in Tonal Music, by Yosef Goldenberg. Lewiston, NY: Mellen Press, 2008. 597 pp. (2 vols.)

Boyd Pomeroy (Author)
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Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siècle Vienna, by K.M. Knittel. Burlington, VT: Ashland Publishing, 2010. 201 pp.

Daniel N. Leeson (Author)
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Hirshberg’s Ben-Haim: Three Decades Later

Ronit Seter (Author)
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Communication

A Response to Ronit’s Seter’s Review of my Monograph Paul Ben-Haim: His Life and Works (Min-Ad 9 [2011], pp. 97-113).

Jehoash Hirshberg (Author)
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