Shlonsky, “The First Lady of Israeli Music”
Abstract
Say “Shlonsky” in Israel, and most people will instantly know who you are talking about—the poet Avraham Shlonsky. Shlonsky was one of the founders of modern Hebrew poetry in the 1930s, a leader in the generation that followed Bialik, who shaped—indeed reinvented—a Hebrew culture. Say “Shlonsky” to musicians: they will think the same thing. How many musicians know about Avraham Shlonsky’s younger sister, Verdina? How many knew of her during her lifetime? Verdina Shlonsky (1905-90), like Sternberg, was apparently another victim of the exclusive club of national composers. But her “sins” were threefold: she was a woman; she was strongly attached to the European tradition and its contemporary composers—i.e. she was not “Israeli enough”; and, what is more, she had no interest in Mizrahi (Middle Eastern) music.